NOSTOS

A profile cut from bronze and shadow. The Corinthian helmet rises in a tall crest, its brush running front to back like a spine against the pale grey blue field. Where the eye should be, only black. No face, no gaze, just the suggestion of one.

There is something unsettling about a warrior without features. The helmet becomes the man, armor standing in for identity, the nose guard and cheek pieces erasing whatever expression might have lived beneath. Scratches and dust move across the surface like time itself, wearing the image down to its essential contrast. What remains is not a portrait but a symbol, hollow and upright, still ready for war.

Printed to order with museum grade Giclée technology in 12 colours for lasting depth and detail. Available as Art Print, Framed Print, Stretched Canvas or Framed Canvas in sizes A4 to A0. Arrives ready to hang.

Seen from below, the wooden horse rears against a black sky, its body a lattice of planks and beams bound with rope at the chest and forelegs. The mane stands in flat wooden spikes, rigid and unmoving. One foreleg bends upward while the other reaches toward the lower edge of the frame, caught mid motion in a moment that never resolves.

A jagged band of pale cloud splits the composition, dividing the darkness above from the paleness below. There is something ancient in the structure, a myth built from raw material rather than flesh. The coarse ink texture and stark contrast lend it the weight of an old woodcut, as if the image itself had been carved rather than drawn.

Printed to order with museum-grade Giclée technology in 12 colours for lasting depth and detail. Available as Art Print, Framed Print, Stretched Canvas or Framed Canvas in sizes A4 to A0. Arrives ready to hang.

A single eye fills the dark, red iris torn at the edges, pupil fixed and unblinking. Above it, tall blackletter spells out an offering. Below, three hooded figures stand with arms raised, their robes cut from jagged shapes of white and black.

Something is being given, or asked for. The hooded figures could be worshippers, or they could be the price of admission. Rendered in only three colours, the scene feels carved rather than drawn, closer to a woodcut passed down than an image made new. The grain of the paper adds to that weight, as if the piece already carries years.

Printed to order with museum-grade Giclée technology in 12 colours for lasting depth and detail. Available as Art Print, Framed Print, Stretched Canvas or Framed Canvas in sizes A4 to A0. Arrives ready to hang.

A body turned upside down on dusty pink. She floats head down, dark hair fanning wide, her tail arcing up into a broad fin at the top of the frame. Skulls and crossed bones drift around her, tucked near the tail, below the fin, close to her shoulder, caught in her hair. Ink blot clouds sit in each corner, navy against the pink.

The words arrive quietly at the edge: you'd want to hear it too. A warning that sounds like an invitation, or maybe the other way round. Old stories warned of songs sung by women in the water. Here the danger feels softer, almost domestic, a myth rendered in two colours and a steady, knowing hand.

Printed to order with museum grade Giclée technology in 12 colours for lasting depth and detail. Available as Art Print, Framed Print, Stretched Canvas or Framed Canvas in sizes A4 to A0. Arrives ready to hang.

A narrow band of open water sits at the top, pale and quiet against the horizon. Small against that stillness, a ship rides the upper right corner, its sail marked with crossed axes, oars lined along the hull like ribs. Below, the sea gives way entirely. A whirlpool opens across two thirds of the frame, cream foam ridges spiraling toward a black center that swallows the light.

The words arrive low and plain. Can you feel it? Then quieter still, it's been pulling the whole time. Not a warning so much as a confession, as if the water had been waiting to say it. Dust and scratches sit across the surface, evidence of something old being surfaced again, a myth worn smooth by retelling.

Printed to order with museum-grade Giclée technology in 12 colours for lasting depth and detail. Available as Art Print, Framed Print, Stretched Canvas or Framed Canvas in sizes A4 to A0. Arrives ready to hang.

A sage green ground holds a quiet symmetry. Two pairs of crossed double-headed axes stand guard, one above, one below, their curved blades and long shafts rendered in sepia and dark brown ink. Between them, three eyes wait in their frames, watching from an oval locket, a snake-bordered rectangle, an ornate border of lines.

Each eye is engraved in fine crosshatch, patient work of woodcut and letterpress. Something ancient lingers in the arrangement, a language of symbols older than words. The axes suggest protection. The eyes suggest memory, or perhaps warning. Together they form a kind of shield, quiet and watchful, holding its ground without explanation.

Printed to order with museum-grade Giclée technology in 12 colours for lasting depth and detail. Available as Art Print, Framed Print, Stretched Canvas or Framed Canvas in sizes A4 to A0. Arrives ready to hang.